Washbasins were an important utilitarian item in Mao era China. In the absence of indoor plumbing, homes and offices used enamel basins for washing up. Called “face-washing basin” in Chinese (xi lian pen 洗臉盆), washbasins can be thought of as all-purpose sinks. An essential item in every home, in the Mao era washbasins became a vehicle for social and political messaging.
Dance was an important part of revolutionary art and culture in China during the Mao period, both as everyday entertainment and to promote Maoist culture internationally. Like other aspects of cultural work, dance had specific ideological and political meanings. Through their use of dance movements, costumes, and props, dancers conveyed new ideas about Chinese society, including ideas about national identity and ethnic groups, views about women, and the nature of Sino-Soviet relations. This biography examines the material culture of Mao era dance through the lens of dance props—objects dancers manipulated in their performances to convey new ideas on stage.