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Handwritten Entertainment Fiction (手抄本)

Entertainment fiction manuscripts from the Chinese Cultural Revolution are objects that were forbidden at the time as their very existence was against the prevailing ideology, yet they were extremely popular, in particular among young readers. This biography presents this type of fiction as material object by tracing how they were produced and consumed, how both the material objects and the concrete texts were transformed and how these practices anticipated developments in the literary and cultural field commonly associated with the post-Mao era.

KEYWORDS

• Revolutionary Art and Culture
• Cultural Revolution
• Propaganda
• Youth
• Sent-down Youth
• Red Guards
• Cultural Work